Theorien zu Farbe, Licht und Sehen
Vorträge und Workshops (Auswahl)
23. November 2007
[Berlin Free University. Interdisciplinary Center “Middle Ages – Renaissance – Early Modern Era.” Colloquium of the German Research Foundation Unit 606 “Topos and Tradition. The Restructuring of Knowledge and its Transmission from the 13th to the 17th Centuries”]
Ulrike Heinrchs: “Farben des Hohenliedes, Farben des Malers. Zu Martin Schongauers Muttergottes im Rosenhag.” (Colors in the Song of Songs, colors of the painter. On Martin Schongauer’s The Virgin in the Rose Arbor).
15. September 2008
[Berlin Free University, Art History Institute, Workshop sponsored by the Interdisciplinary Center “Middle Ages – Renaissance – Early Modern Era.”]
Ulrike Heinrichs: “Farbe in scholastischen Enzyklopädien und in der Malerei des späten Mittelalters” (Color in scholastic encyclopedias and in painting of the Late Middle Ages).
19. Juni 2010
[Dresden Technical University, annual conference of the work group for Dutch art and cultural history (ANKK)]
Ulrike Heinrichs: “Farbe als Medium der Affektdarstellung und Affektlenkung in der Malerei Rogier van der Weydens.” (Color in the paintings of Rogier van der Weyden as a medium to portray emotion and to influence the viewer’s emotion).
10. September 2010
[University of Cologne, Thomas Institute, conference: “Die Schedula diversarum artium – ein Handbuch mittelalterlicher Kunst?”]
Ulrike Heinrichs: “Der Stoff, aus dem die Bilder sind: Zur Materialität und Körperartigkeit der Farbe als Faktor der Naturnachahmung in der Bildkunst des späten Mittelalters.” (The stuff images are made of: On the material and physical quality of color as a factor in imitating nature in painting of the Late Middle Ages).
12. November 2010
[Berlin Free University. Interdisciplinary Center “Middle Ages – Renaissance – Early Modern Era.” Colloquium of the research group Topos and Tradition]
Ulrike Heinrichs: “Im Auge schön. Zur Farbkomposition in Jean Fouquets Diptychon des Etienne Chevalier” (Delightful to the eye. On the color composition in Jean Fouquet’s diptychon of Etienne Chevalier).
6. Juni 2013
[The J. Paul Getty Trust, The Getty Research Institute, Los Angeles, Colloquium “Color”]
Ulrike Heinrichs: The King, the Cook and the ‘Valet de Chambre.’ How the Color System Got Its Three-Dimensional Shape.
