"Performing Utopia? The Contestation of Dystopian Space in Cecelia Ahern's Flawed-Series", in Merle Tönnies / Eckart Voigts (eds.), Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (Reihe Contemporary Drama in English Studies), Berlin, Boston: De Gruyter, 2022, pp.73-86.

"Birth Without a Woman: Mary Shelley's Frankenstein in the Context of Eighteenth-Century Ideas on Birth, Motherhood and Midwifery“, in: Sarah Schäfer-Althaus / Sara Strauß (eds.), Transient Bodies in Anglophone Literature and Culture (Reihe Anglistik & Englischunterricht), Heidelberg: Winter, 2020, pp.47-68. 

"Female Reproductive Bodies and the Shift from Risk to Threat Society: The (Mis)Use of the Powers of Pregnancy in Margaret Atwood's The Handmaid's Tale and Amy Ewing’s The Lone City-Series", Women and Their Body. International Hybrid Conference at the Center for the History of Women Philosophers and Scientists in Paderborn, 16. – 17. März 2023.

"Liminality Unlimited: The Postmodern (De)Construction of the Victorian Household in Jodi Meadows, Cynthia Hand and Brodi Ashton’s My Plain Jane", (Re)Mapping the Victorian Household: Locating Liminal Spaces and Identities. Early Career Researcher Online Conference Stiftung Universität Hildesheim, 29 April 2022.

"Spaces between Utopia, Dystopia and Heterotopia:The Case Study of Young Adult Dystopia", Dystopian/Utopian Theatre in Britain after 2000 and its Political Spaces. ZIF Video Conference an der Universität Bielefeld, 11. – 13. März 2021.

"'Hope Is a Pocket Full of Possibility. I’m Holding It in My Hand.' The Nietzschean ‘Übermensch’ as Bridge and Barrier in Young Adult Dystopia", Bridges and Barriers: Student Perspectives of Progress and Preservation. Interdisziplinäre studentische Online-Konferenz an der Universität Paderborn, 15. Januar – 12. Februar 2021. 

"The Divided Self: (Self)Deception in Mary E. Pearson's The Adoration of Jenna Fox", Deception, Dishonesty, and Duplicity. Interdisziplinäre studentische Konferenz an der Universität Paderborn, 26. – 27. April 2019. 

"(Re)Appropriating 'Maternal Imagination': The (Mis)Use of the Powers of Pregnancy in Amy Ewing’s The Jewel – Series", Geschlechter-Kampf-Regeln - Möglichkeiten und Grenzen der geschlechtsspezifischen (Selbst)Ermächtigung in den Künsten von der Antike bis zur Gegenwart. Studentischer Workshop der Komparatistik an der Universität Paderborn, 26. – 27. September 2018.

"Challenging 'Branded' Bodies: Intersectional Feminism in Cecilia Ahern's Flawed-Series", Pop Hero and Action Princess – Negotiating Gender in Popular Culture. Internationale studentische Konferenz am Englischen Seminar der Westfälischen Wilhelms-Universität Münster, 12. – 13. Januar 2018.

"Birth Without a Woman: Mary Shelley's Frankenstein in the Context of Eighteenth-Century Ideas on Birth, Motherhood and Midwifery", Transient Bodies in Anglophone Literature and Culture. Internationale Konferenz an der Universität Koblenz-Landau, 9. Juni 2017.